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Live Free Or Die Hard -

: For the climactic sequence involving an F-35 jet, the production used a mix of a full-size prop on a motion base, a nine-foot practical miniature, and CG models .

The film's journey to the screen was a decade-long evolution. Its plot was loosely based on the Wired magazine article "A Farewell to Arms" by John Carlin, which detailed the terrifying possibilities of a "fire sale"—a coordinated three-stage cyber-attack on a nation's infrastructure. Live Free or Die Hard

: The film famously featured a car being launched into a helicopter and a massive tunnel pile-up involving real vehicles. : For the climactic sequence involving an F-35

: The commitment to realism came at a cost; both Bruce Willis and his stunt double sustained injuries during the grueling production. Reception and the PG-13 Controversy : The film famously featured a car being

: Bruce Willis returned as an older, grumpier McClane, now navigating a world he barely understands with the help of Matt Farrell (Justin Long), a young hacker who serves as his "digital guide". The Stunts: Pushing Practical Limits

While the film received generally positive reviews (holding an 82% on Rotten Tomatoes ), it sparked intense debate for being the first entry to receive a .

: Originally a standalone script titled WW3.com , the project was stalled after 9/11 before being repurposed as a Die Hard sequel.


— Interactive Songs —


Click on any of the following titles to load a piece:

Amazing Grace
Traditional
Nocturne Op.9 No.2
Frédéric Chopin
Moonlight Sonata
Ludwig van Beethoven
Clair de lune
Claude Debussy
Summertime
George Gershwin - Lyrics
Oh! Susanna
Stephen Foster (Wells) - Lyrics
The Entertainer
Scott Joplin
Gymnopedie N.1
Erik Satie
Gymnopedie N.3
Erik Satie
Canon in D Major
Johann Pachelbel
Für Elise
Ludwig van Beethoven
Greensleeves
Traditional
Happy Birthday
Patty & Mildred Hill
Lacrimosa
W.A.Mozart
Ode to Joy
Ludwig van Beethoven
Rêverie
Claude Debussy
Scarborough Fair
Traditional English Ballad


Christmas MistletoeChristmas CarolsChristmas Mistletoe
Best Christmas Songs and Lyrics to Get You in the Holiday Spirit!


Jingle Bells
James Pierpont - Lyrics
Adestes Fideles
John Francis Wade - Lyrics
Deck The Halls
Welsh Traditional - Lyrics
The First Noel
arr.John Stainer - Lyrics
Hark! The Heral Angels Sing
Mendelssohn / Cummings - Lyrics

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— Musical Scales and Modes —


Select a tonal center (tonic) and click on a scale name to show the corresponding notes on the piano:

Tonal center selector for musical scales 12 notes
C
C#/Db
D
D#/Eb
E
F
F#/Gb
G
G#/Ab
A
A#/Bb
B

¿What is a musical scale?

A scale is a set of musical notes ordered as a well-defined sequence of intervals (tones and semitones). A semitone is the minimum distance between two consecutive notes in any tempered scale (12 equal semitones per octave). In other words, a semitone is also the distance between two consecutive keys on the piano. For example, the distance between C and C# (black key next to C), or the distance between E and F (both being white keys). However, the distance between C and D, for example, is a full tone (or two semitones).

Musical scales are an essential part of music improvisation and composition. Practicing scales will provide you with the necessary skills to play different styles of music like Jazz, Flamenco or Blues. You can also use scales to create your own melodies and set the mood of your piece.

Any chosen scale can be transported to any tonal center (e.g. E minor and A minor both use the same minor scale). The tonal center or tonic is the note where the scale hierarchy starts and it is represented on the virtual piano with a darker blue dot. When playing music under a particular scale, you should normally avoid any key without a blue dot, although composers sometimes use altered notes which are not within the scale.

Notes in a scale do not need to be played in a particular order, you can play them in any order you like, so feel free to improvise!