Any dominant chord (V7) can be preceded by its related minor seventh (ii7). G7 — C Expanded: Dm7 — G7 — C
Keep the bass note constant while the chords change above it. Playing C, D/C, F/C, and G/C. Reharmonization Techniques
This adds chromaticism and stronger "pull" toward the next chord in the sequence. 4. Modal Interchange (Borrowed Chords) Any dominant chord (V7) can be preceded by
Instead of changing the whole chord, keep the harmony static while moving a single inner voice chromatically (e.g., C — Cmaj7 — C7 — C6). Reharmonization Techniques