Modern readings often critique Crusoe as a colonial figure. His relationship with Friday is deeply hierarchical , based on the roles of "Master" and "servant," reflecting the imperialist values of Defoe's era. Fact vs. Fiction
The narrative is presented as an autobiography of Robinson Crusoe, a young man from York who defies his father’s advice to pursue a "middle station" in life, choosing instead a perilous career at sea . Robinson Crusoe
The story is a "spiritual autobiography". Crusoe’s isolation leads to a religious awakening , where he interprets his survival as divine providence and his shipwreck as a punishment for his "original sin" of disobedience. Modern readings often critique Crusoe as a colonial figure